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Los Angeles County Museum of Art

Stephen Prina: As He Remembered It

Apr 07Aug 04, 2013

  • © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

    As He Remembered It, installation view, Secession Vienna, 2011, Stephen Prina. © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

  • © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

    As He Remembered It, installation view, Secession Vienna, 2011, Stephen Prina. © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

  • © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

    As He Remembered It, installation view, Secession Vienna, 2011, Stephen Prina. © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

  • © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

    As He Remembered It, installation view, Secession Vienna, 2011, Stephen Prina. © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

  • © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

    As He Remembered It, installation view, Secession Vienna, 2011, Stephen Prina. © Photo credit: Wolfgang Thaler, Vienna. © The artist, courtesy Galerie Gisela Capitain, Cologne and Friedrich Petzel Gallery, New York

Stephen Prina: As He Remembered It explores the dialogue between California modernist architecture and contemporary art, beginning with the artist’s personal memory from the 1980s of seeing a solitary pink RM Schindler built-in displayed in a shop window on La Brea Avenue. Following unfinished plans from two demolished Schindler houses, Prina’s recreations of Schindler built-ins are painted a bright pink and restaged in a grid pattern, raising questions about modern architecture’s relationship to site-specificity, particularly in Los Angeles.

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